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Author: Stephen Pickering

  • A New Poem | “May’s River” (Part Deux)

    Illustration by Stephen Pickering. "May's River" (cc) 2010. painted on iPad using ArtStudio, with added figurines using Picnik online graphic editor.

    You tore on past the river’s flow.
    Now I know, now I know.
    You walked from the house’s door into the snow
    An instinct to let go, to let it go.

    The menagerie fortress tower
    looms larger by the hour.
    Talking to the morning’s vestigial crops
    into the elevators’ chop, chop, chops.
    And disturbing them like making rings
    Outward bound as the sunshine morning sings.

    You of the potato patch’s mouth, mouth, mouth
    have grown up too early to shout, shout, shout,
    and now you’ve got trouble in the military man’s
    house, house, house
    given way to your sacred gifts’ sound
    down South, South, South.

    All the Milky Way’s a stir
    with the blasted World,
    of the strange gifts at night when two strangers eyes meet
    down by the wharf with fresh cod to eat
    and malted whiskey to drink.
    They drive back on one tire
    As a family waits by the hour
    For some vestigial return at least
    For some reason to leave the porch and heat.

    ‘Twas you that rounded the edges and fastened the ties,
    soaked the oars in morning dew butter
    before the wind in the hollow’s current died?
    Each moment a little more dishonest, and a little piece of you tries,
    A little piece of you dies.

    Dies to the factories making crap
    for the kids churning and drowning in the school’s cyndricular vat.
    They reach for the elbows of the crow’s soaring flight,
    but their hands seem too tiny in the subliminal sky.

    They do not sing beyond it’s beauty.
    They come home and sink their little heads into the factory pillow.
    The hawk haunts the sky, and the ducks huddle under the willow.
    All morning long with a fever blistered pitch
    Those sculpted cliffs dive headlong into the ravine’s ditch.

    Could you shower up for morning sup
    And return fresh and green like a planted cup?
    We’ve made winter soup and duck.
    We’ve made sauces in planters and pink strawberry wine;
    All of this and more from the edge of some perennial vine.

    You will come to the forest edge when it’s time.
    This we know from the story book rhyme.
    You will pass through the walled garden’s oval arch
    In time to escape the troops’ Kaiser’s Day march.

    We will gather for a picnic ’round Robbins’ Lake.
    Take a turn north just before Haliford’s gate.
    Be sure and set the case of our dozen forebears down.
    So that she may rest without soiling her satin white gown.

    Two minutes into her eyes:
    the inter tube by sunrise.
    Back by noon for a surprise.
    Smoothed over by gems from the boogie nights.

    The Queen you ask, the heat of the midsummer Sun.
    Aye it’s her, that’s the one.
    Hold her in your diary secretly until the pressure of emotions
    Lifts the gold of the ancient Spanish wreck.
    May the two of you bathe in doubloons
    Never leaving your room.
    None are good enough to fly into this sacred space
    that all of eternity’s changlings cannot erase.

    But before you leave if you could do only one thing:
    Pick up that dial, call the complex, and let it ring.
    They and their party will have gone to the beach for the day.
    This will give you time to think of what to say.

    She wants a little house deep on the other side of the woods.
    We know she talked on and on about the city and her friends,
    but some lies are understood.

    Go wait under that shed and close your eyes
    blasted even as it is by flashes of the darkening sky.
    Don’t you think she would if she could?
    (I mean turn around and stay. Of course, she would.)
    But the dancing goes on all night at Park Place.
    You’ve done the right thing to leave without a trace.
    They won’t remember anything not even your face.
    All this time you thought that one memory couldn’t be erased.

    Ruby lights throb chaotic motions from the room.
    Blue, crazed, and wild, they lay out lines for the glowing Moon.
    The jeweled lights never cease
    to point toward the balcony’s deserted seat.
    You come down a golden flight of stairs.
    The company has arrived, waiting down there.
    Up from the bottom and flopping onto the beach
    even she comes up from 20,000 leagues.

    You turn the corner and walk up the street
    Thousands of children are at your feet.
    His majesty HRH has just flown in.
    No one met him at the gates for the parade to begin.
    Inside even the cells of the carpet nubs couldn’t withstand
    The pressure of a human being freaking out the light barrier
    And so dragged the little shanty of a house back in time.

    Passed out by the celebrations you left in time to climb the ocean cliffs
    leaving alone the flowers she brought you to bob on the tied up skiff.
    Parsing weed, bushes, trees, and vine
    you’re bruised, scared, and knee-scraped by the sheer climb.

    The circled gate
    Opened not a minute too late.
    And there further than the mountains dotting the African shore
    lifted the hand of the one whose eyes gave birth
    to an opening in the middle, between Jason’s clashing rocks,
    of the Universe’s sacred door.

    Sent from my iPad

    (cc)2010. Stephen Pickering.

  • Neither Twitter, Facebook, nor Apple Will Survive the Open Web

    I was thinking about this subject tonight, that there is no way such closed systems as Twitter and Facebook can survive the force of the open Internet in the coming years with the price of data, storage, and bandwidth all marching toward near zero cost, much less be an Eco System or “Platform.”

    As these communication and computation costs lower each
    year, it will drive so much innovation, the walls will be torn down.

    See, what is exactly the value proposition of a closed network such as Twitter or Facebook?

    A) The Network Effect.

    The Network Effect, or “Metcalfe’s Law” says that the value of a network equals the number of users it has squared. Obviously, the more users the more exponentially the value of said network increases. Facebook has 400million users. Twitter around 50million. You might think Facebooks network effect is tremendously greater than Twitters, but Facebook is a much more closed network. On average a typical user may have 100 “friends” or network connections. On Twitter you can connect to virtually anyone on the network simply by “following” them. It doesn’t have to be a reciprocal agreement. Everyone on the network is accessible to you. This means Twitter’s more open Network is of far greater value than Facebook’s larger but more closed Network. That’s why Facebook is in a tremendous frenzy to open their network more through “Pages” “Facebook Connect” and changing the default privacy settings.

    So if Twitter’s vastly smaller, but vastly more open network has more Network Effect value what does that mean? The more open a “network” is, the more valuable that it is. This means there is an incentive to build a completely open network. So one will be built, or shall we say, not built, but merely “facilitated” because the act of building one implies some degree of closed. The completely open network already exists. It’s called the Internet.

    We all know how many users and how much traffic Facebook has every month. They say its like an upward hockey stick. But how much value are Twitter and Facebook giving off each month?

    And how much traffic and how many users does Internet, Inc. have?

    Basically you trade your identity and your content for their network effect. Also they throw in their bandwidth, storage, and programming. As of now this has value, plenty of it and that’s why you see the spike in these “networks’” traffic.

    But now the process of them selling you down the river begins. They figure they’re giving you network effect, bandwidth, and storage for free in exchange for them selling your content. Sounds fine, right?

    But the problem is innovation will drill a hole into any walled garden. Quickly, innovation will fork around sand boxed networks and find ways to connect people without them giving up their identity or their content. Each day, storage and bandwidth prices drop. They are heading rapidly to zero. So that part of the economic proposition is losing weight very quickly as well.

    Twitter isn’t the network. Facebook isn’t the network. The network is the network.

    Even the mighty Apple, as much as I am blown away by this iPad I’m typing on, can’t survive this onslaught of the open web. For instance, tonight I was watching a TV show on the wonderful ABC app and it occurred to me that I was being forced to watch the commercial because I couldn’t minimize the browser. it felt Pavlovian to me, being trained by the nature of the device, forcing me to behave in a way I didn’t want or like.

    I don’t think the user will put up with theses strategies for long, and I’m sure the open web will come to the rescue.

    It also occurred to me tonight that Gmail keeps 5 years and 25,000 of my emails forever available and searchable and yet Twitter only let’s me go back and see a few weeks of my Tweets, with a substandard if not plain archaic search system.

    That’s just plain lack of innovation. And Facebook is hardly better.

    Technology, driven by innovation as it is, is a poor place for a lock in business model. Technology doesn’t want to be trapped, and will eventually fork around it’s captors.

    Sent from my iPad

  • Painted on the iPad

    I haven’t attempted to draw or color anything in 20 years, but the iPad feels so natural and unintimidating that you allow yourself to play. And then when I was reading TUAW, they highly recommended an app called Art Studio that’s like as good as Brushes but only .99! Pretty unbelievable. I jumped in.

    So I just finished painting this on the iPad. Mondrian anyone? Hhehehehehehehehhe. But the point isn’t whether this is much more than a grade school coloring. It’s not. The ego is out of the way, just as in the paradigm of the iPad, the technology gets out of the way.

    Rather, the important point is, and I don’t know if you can tell this from the photo, but: it felt like coloring or painting in the real world. I had fun doing it. Yes it’s possible to have fun with a regular computer using Photoshop or Illustrator or some such creative tool. But the experience isn’t as intimate, warm, and human like. Even with applications that excite me such as Garageband for producing music, I tend to leave the project more stressed than when I began. The 2 foot chasm between the person and the screen, with keyboard and mouse guarding the passage, is an even larger psychological gap, it seems, leaving a lot of emptiness on the table and more than a little reticence at trying something new.

    But with the iPad that experience changes. The intimidation and distance, both physically and emotionally, seem to melt away.

    That’s been one of my main take aways from using the iPad: It’s a marriage of the digital and analog worlds. I have never had this kind of “human” or “emotional” experience interacting with and creating on a computer or piece of digital technology.

    That’s one of the many reasons that I think this is the most important, interesting, and will be the most popular technological device in history. I think virtually everyone on the planet will have one in a few years. It’s as revolutionary as the internet itself because its a way to engage and interact with the internet, and the digital world in general, in a human way.

    And its just the beginning.

    The iPad seems to manifest the archetypal spirit of a continuum. In all myths heroes and heroines have a single purpose, the power of a committment. In the spirit of that committment the iPad seems to unobtrusively and intimately be able to be one's delightful companion in seamless experiences of both entertainment, inspiration, productivity, and creativity. And it does this in a way that is an aesthetically pleasing experience, a natural experience symbolized by it's most important interactive gesture: that of human touch. Technology that is inviting and fun to use gets engaged. And the marriage helps both the technology, as a more diverse group of talents come in contact with it, and society as a whole as it interacts more harmoniously, and receives the benefit of both knowledge and emotional support. And finally the individual, who is freed by a system whose power now works with and for him, after so many years in the dark where cold, unenlightened systems were imposed upon him and his Spirit.

  • A Poem | Scarlet Fever

    I want to become the flower
    Drinking a hawthorn berry shower.
    I feel that the painting is alive
    That I could jump inside
    and live a life.

    The love you want resides inside a flame
    Burning Jerusalem to the coast of Spain.
    From the secret Indian province
    to the street children’s colorful ribbon dance.
    A carousel song.
    They want to belong.
    Children of the Sun
    in the land before time begun.

    We are the whispering ones,
    following the trail of crumbs,
    grasping for song,
    hoping the the poem will come along.
    “Run along, run along, my dears
    before those little eyes fill with tears.
    They are the dew, you know,
    Freshly made from the melting snow.
    The only God is in your head,
    but he’s real and he’s meant what he’s said.”

    We’re so tired. We need some sleep.
    It’s so important that we dream.
    It becomes the patterned sleeve,
    The path by which we leave.
    Tomorrow’s sounding more like a bell
    On which the doves of heaven sing
    To the serpents of hell.
    Will we wait here all morning in the rain
    For the climbing of that midnight train?

    It’s made of blue smoke and jazz,
    and all the things that we didn’t have.
    Halve a peach with me.
    Sit down and eat.
    When you were a baby covered in red
    Did you know the song would awaken the souls
    and bring back the dead?

    Don’t forget the poem,
    or Lucy living under Lake Victoria’s soil.
    Blood made of Sun.
    Run, rabbit, run.
    London is here,
    but her price is too dear.

    I’m not sure what would make us happy tonight.
    A glass of mediteranean wine?
    Distilled from the soapy sea
    Of flavored memory?

    What should we worry about,
    cry for and shout?
    We may go to sleep,
    Lie about and dream,
    or maybe there’s something on T.V.,
    then walk quietly the evening streets.

    The poem at the end of the mind
    peeks its eyes up through the morning’s rhyme,
    effortlessly following the golden thread of desire,
    moving by magic carpet and doesn’t tire.
    It winds up a European cobblestone street
    looking for a safe place to curl up and grieve.
    It is the red, Irish beauty among the leaves
    and the flight to the maiden czar across the eternal sea.
    She who holds court
    at the end of the World.

    At the bottom of that eternal, endless sea
    The golden bird, golden horse, the princess
    We want to return and long to be.

  • A New Song | “Silver & Gold”

    Silver & Gold by spickeringlr

    Listen on iPhone

    One day we were old
    The next day we’re young
    These dreams we’ve been told
    Are made of silver and gold.

    Life is a highway
    Whose car we don’t own
    Whose car that we drove
    Through the blue and the gold.

    Baby I’ll fly tonight
    Maybe I’ll fly tonight

    You’re goin’ my way
    And I’m goin’ home
    To these places we’ve grown
    In the Silver and Gold.

    This flag we have flown
    In the wind it’ll blow
    In the stars it’ll glow
    Through the blue and the Gold.

    Baby I fly tonight
    Baby I cry tonight
    Maybe I fly tonight
    Ahaaa, haaa, haaaa



  • Poem | “Thunder Painting”

    Don’t be desireous under White Mountain.
    The river’s tall feathered tail
    Will blast you into the crag’s milky fountain.
    Will whisk you away
    To a faraway place
    In the steam boat’s desert Sun,
    Buried beneath a 17th century ruin.
    You won’t get to stay up and play.
    Each door will turn you away.
    You won’t burn your fires at midnight
    Or dream of the horse haired magic of twilight.
    The cattle callers will stake their claim
    Down your captured, straining, mustang mane.
    Only for the bewildered and assertive has time begun.
    So now you are forever on the run
    From the father with a shot gun,
    From the book that’s never done.
    A story of a man who climbed a cloud
    Getting passed the Giant by not making a sound.
    But the danger is he may sleep on the stove or be a meal.
    When there’s a castle on your head
    That’s part of the deal.
    If you find your way down
    You’ll be the talk of the town.
    Covered in Goose down
    Eveywhere you go golden eggs roll around.
    Rescue Mother from the debt.
    Take Newton’s weight off your head.
    Lift the Goddess of Sais’ silken veil.
    And for the New World set sail.
    Buy your Indian master whose been two places at once
    Before he sells Manhattan for a buck.
    Inside his pipe is a 10,000 year old pine,
    Japanese Geisha girls and black Saki wine.
    It don’t take science to tell us it will never die.
    It’s one hundred deer skin catamarans
    Sailing Chinese warriors to settle Peruvian lands.
    They’ll block your walls and tear down your office
    If all you can think of
    Is sex with the White Buffalo Goddess.
    So when you approach her, lay down your mask.
    Let the blue Moon dance on the snowy fields and pass.
    Let the deer’s eyes see through the men with guns
    To the glistening forest and endless mountains beyond.