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Tag: Garageband

  • Cutting an Entire Bar Out of a Garageband Song

    • Click the “+” at the top of the App Window just below the “Mixer” heading to create an “Arrange Region”
    • I think it defaults to 4 bars, but you can take your cursor and make the arrange region any size you want
    • Click the region to highlight it in blue and then hit your delete key.

    This does a Delete + Move function so the area you want to get rid of dissappears and moves the entire rest of the song, including each track’s “meta” data, neatly together. Moving the meta data is important if you’ve created customized volume or panning sliders for individual tracks. Just moving the tracks themselves by dragging them doesn’t do this.

    This can be done anywhere in a song, but it occurred to me that usually when I make a recording I’ll have one or two bars at the opening of the song thats filled with silence or noise from getting ready to cut the take. And then when I’m done, I may have eight or nine tracks that need to be moved, along with their data to the actual beginning of the timeline or else when I exported it, the export would take that silence/noise with it. I needed a way to move all the tracks simultaneously, which is a terrible pain to do individually especially if, as is usually the case, many of the tracks aren’t “joined” and even then, there’s the problem of the meta data. I guess I wouldn’t have this problem if I did a count in, but even then, I think a count in is only one bar, and I usually need two before I’m ready to record.

    Hope this helps. Feel free to ask me any questions in the comments.

    Update 4/30/10I just realized when I made “Quiet Town” today and needed to do the same thing that that little “+” below where it says “Mixer” at the top may not show up depending on your settings. If that’s the case you need to go to Track>>Show Arrange Track and click that, and then it will show up.

    Update 4/9/11 – What I’m doing now for my Garageband projects is using a program for Mac called Wiretap Studio. What this program does is record into a .wav file (that you can easily convert to .mp3) directly from the Mac Core Audio itself. You end up getting better results because when you export via Garageband usually one of two things happen. If you’ve selected “normalize” things sound fine, but usually the volume is way to low. And if you don’t select “normalize” you get the loudness, but at the expense of quality. A lot of clipping. Wiretap gives you the loudness of a contemporary CD, but with the clarity of how it actually sounds in Garageband itself. Also with this solution, I don’t have to worry about moving the tracks to the beginning of the garageband interface. I simply move the playhead to where I want to start the recording. Then I click record on Wiretap. Then I start the playhead. The few extra seconds in the Wiretap file can be cropped to give you better control over the beginnings and endings of songs.

  • Garageband Tip: Work Behind the Beat

    So I’ve been in the Mac World for over a year now, but I’ve just now entered the Garageband World or recording and the whole idea of recording on a computer. I know what you’re saying, “Welcome to the ’90s!” I know. I know, but you see as much as I’m interested in technology, I also have this reverse energy working. I call them “mental blocks.” In the early ’90s I got a 4 track cassette recorder. I think it was $500. Couldn’t make it work. I don’t know why. I just couldn’t.  Then I bought some multi track software from the local music store. Looked fancy. Only $50. Couldn’t make it work either. I just couldn’t get decent sound into the damn thing. I don’t know what it was. A PC, the drivers, the technology? I don’t know. Just a lot of buzzing.

    Finally in 2001 I got a stand alone “DAW” one of those little BOSS BR things, and FINALLY, something I could simply plug in and play, and though its woefully small GUI (I wouldn’t even call it a GUI) would make the normal musician drive to the local bridge and jump off, I could actually record multi track sound that sounded clear, and a drum machine to boot! I was hooked. My creativity jumped. Then in 2005 I bumped up to the BR-1600, spending $1200 and thought I was in heaven. Even better Pre Amps, better sound, and the ability to program real arrangements, bass lines and customized drumming. I thought I had my studio. So I’ve been working with it ever since, thinking I had it all. All I needed at least.

    Finally though, especially with this gorgeous 20″ iMac screen, I just couldn’t live with the little 1×5″ GUI. I never wanted to do editing because it was just too painful. So I was stressed with every take because I felt I had to get it perfect. I did, because I wasn’t willing to cut and paste or even punch in and out very often. Pain moves folks to action.

    So finally I entered the Garageband world a few weeks ago, cutting my first song on it, “The Darkest Hour Comes,” just recently. Loooooove it. The colors, seeing all the tracks. The loops. Dragging and dropping edits allows one so much freedom, that one can relax and get into the groove.

    So, since I don’t have an interface yet, I’m recording guitars and vocals into the BR and importing the .WAV files into Garageband. (Of course that little pain will have me down to the Guitar Center getting a Presonus Firebox very soon!)

    But in the meantime I’m working on a new tune. Now with the freedom of Garageband (And computer based recording in general) I discovered I can just record away over and over again, not worrying about mistakes, because I know that I can cut and paste the best parts on the desktop and arrange the song with relative ease.

    So finally here comes my tip. I’ve been working on the guitar track today, cutting and pasting away, and I’ve noticed one thing: Even though I’m working with a click track, you’re almost never exactly on the beat, especially at that crucial juncture of the first beat. You’re either a millisecond ahead or behind it. That’s one of the things that makes it sound natural. But if you cut and paste a section that comes in ahead of the beat you’re going to cut out an important part and also hear a little clip. If you cut and paste those sections a little behind the beat, then everything sounds seamless.

    When you’re recording, you can’t consciously decide to be in front or behind the beat, but knowing that you have the freedom to make mistakes does allow you to relax and get into the groove. So if you just keep the tape rolling and make multiple passes (I recorded 6 minutes of passes for a 4 minute song last night) you’re going to have enough material where you have as many backbeats as frontbeats, so you’ll be good.

    Then, when you’re editing look for those sections that have a backbeat to cut and paste with. It’ll make your life a lot easier. And a lot more fun. And when you record enough passes, every once in a while you’ll even be right on the beat.  Those moments are rare (unless your a good musician) but they feel like Luke finally getting those laser torpedos into that right whole of the Death Star.

    The “Death Star” of your anti creative complex explodes and you up your anti to a new level. Oh, shit. I feel Pro-Tools and Logic on the horizon coming forward.

    Comments, Questions, or Suggestions? Love to hear your thoughts.