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  • Garageband Workflow and Productivity Tips

    Well, I’ll continue to add to this post as I go along. I use Garageband everyday. Of course now that I’ve started, this will quantumly move me on to Logic I’m sure, but maybe the same tips in Garageband will apply in Logic as well. Also, I’m sure I’ll never completely leave Garageband. It’s too much fun! Anyway if you have some tips you’d like to share too, put them in the comments and I’ll add them to the list. Or if you have questions leave a comment, and I’ll try to find the answer.

    • Copying a region – You can always select the region then in the Menu select Edit>Copy>Paste, but there’s an easier way: Select the region with your mouse pointer, hold down the option button and simply drag the region with your mouse.
    • Deleting a track – Select the track (mouse over the track and left click the mouse. You’ll know it’s selected when the region on the very left that contains the tracks controls, which is normally gray, turns a color, either blue or green, depending on whether its a real or software instrument track. Once the track is selected, hit Command + delete, and it will delete the whole track.
    • Mastering – Well, this isn’t a tip about mastering per se. I know close to little about the subject, and desperately want to learn more. But if you haven’t already noticed after cutting what you think is a good sounding song, the export feature with Garageband is atrocious. It’s so bad I don’t see how the product can ship with it. If you check the “Auto Normalize” feature in preferences the tune will sound fine but the volume is way too low, which I find ironic because it touts itself as a feature that gives you “full” loudness. If you don’t check that feature you’ll get the volume you want, the volume you hear when you play the song in Garageband, but the exported MP3 will sound annoyingly fuzzy. Both unusable. Why can’t I have an MP3 that sounds like what I’m hearing when I play the tune in Garageband itself? Well you can only it’ll cost you $60. There’s a program called “Wire Tap” for Mac which records accurately any sounds coming from your Mac’s sound card. You fire up Wire Tap hit record and then press play on Garageband, and it will capture the tune exactly as you are hearing it. $60 sounds too high for this feature and it is, although Wire Tap is a solid program from a solid company and it’s useful in other situations as well. Having not moved up to Logic or Logic Express, I’m wondering what their exporting features are like. Anyone know?
    • Recording – Hit the “R” key to start recording and the Space bar to stop recording. A little easier than using your mouse to click the record button and the stop button, especially when you have a guitar in your lap.
    • Relieving an Overtaxed CPU – I’ve noticed especially when I have a lot of tracks, the play head will stop in the middle of a song or my Midi Controller is not being as responsive as it should. I learned today that you should “lock” all the software instrument tracks in this case. This temporarily turns the software tracks into sound tracks which relieves the CPU usage. The Lock feature is that little padlock icon underneath the name of the track. You simply click it. Then later you can un click it to restore it to a “green” software track.
    • Splitting a Region: Again this can be accomplished with Edit>Split once the track is selected and the play head is in the right spot where you want it split. But I also find it easier to simply hit Command + T
    • Vocal Recording – Well this tip may only apply to me but the general principle may apply to more. I bought a condenser mic from Guitar Center 5 years ago for about $200.00. It’s a good looking solid device: Audio-Technica AT-3035. I used it for years with a stand alone BOSS-1600 DAW. Seemed to work fine. In Garageband, although overall the sound was great, I got a lot of hiss and popping especially on my “S,” “Ch,” and “T” sounds. I scratched my head for I do have a screen in front of it. Well yesterday I Googled it. Turns out it has a couple of switches on it that reduce that very thing. Tried it out last night and a new World opened up. I could get a clear, loud sound without all that nasty popping. 5 years later I learn this! So if you run into some kind of problem like this, check your mic’s documentation for all the settings, or if you’ve lost them Google it. By the way this AT-3035 has glowing reviews from all the places I surfed. Everyone of them said its the best diaphragm mic for the money hands down. I think you can get one for only $100 now. So if you’re in the market for a vocal mic, you might check it out.
    Other Resources:
    • Synthopia.com – “Garageband Tips & Tricks” by Jeff Tolbert – Nice page of tips. I especially like the last one which deals with editing the drum loops that Garageband comes with to add some fills and variation to make them sound less monotonous and more spontaneous. Learned what the word “paradiddle” means: 4 16th note snare hits in succession. I knew the sound. Didn’t know there was a word for it. I can hear it in my head during a song when I want a “paradiddle” and he shows you how to make one.
  • New Songs: “65” & “Summertime”

    65 by spickeringlr

    Summertime7 by spickeringlr (You can download these songs by clicking the ‘down’ arrow on the right side of the players above.)

    These are actually “Cover” songs of Josh Rouse material. The forum community over at JoshRouse.com is a very tight knit passionate group. One of the star members named Will produces a podcast that usually features picks from the forum fans or bootleg material from Josh’s live shows, and artists similar to Josh and such. Well, the next podcast they are doing a special version of “Covers” of Josh’s material done my forum members. So these are the two numbers I submitted. Readers of this blog will have already heard “Summertime” as I did that on my own a few weeks ago just for fun, not knowing they were going to do this podcast. Nothing’s changed on that track, except I did EQ the vocals better. In that earlier version there were some spots where the vocals went into the “red” so to speak. That’s recording talk for too high of a level and the recording can “clip.” So I think the overall sound of this version is better, smoother.

    “65” is a bit of an obscure song. It’s older material off an LP called “Chester” that Josh did in his earlier years in collaboration with a guy named Kurt Wagner. Kind of has an Alternative Country R.E.M.ish feel. I’ve always like the song and the LP. Very raw compared to the smoother sounds fans of Josh Rouse are used to. Kind of feels like a few guys getting together, having a few beers and just letting it rip. The lyrics. What do they mean? Who knows. Who cares? They’re just fun. It’s like stream of consciousness. It’s like letting off steam. It was fun to make. Being from the South, I’m kind of partial to that R.E.M.ish southern country influenced alternative sound.

  • New Song: “Oh, Honey”

    Oh Honey by spickeringlr (note: You can download this song with that little “down” arrow over on the right side of the player above.)

    iPhone/iPad – Direct File Link

    This is definitely version 1.0. I want to make a lot of things better, but I’ve been working on this song so long, I needed a way to ritualistically “let it go,” mentally “get it off my desk” as it were, so I can work on other songs. Funny thing. I never was satisfied with this song, more the way it sounded, the production quality. And I hadn’t listened to it in a while. So I recently put my iPhone on Shuffle, a John Mayer song popped up, then a Ravel number, and then this, one of the earlier versions I did, and I thought, “Hey, it kind of holds its own in sound quality to those.” I liked it. Whenever you’re working on a song, it’s like you have to get some emotional distance from it, in order to hear it objectively. I thought it was good. I want to eventually dig into the individual tracks and make some little things better, but overall, I thought it fit in and held it’s own as it is, against some other music that I have a lot of respect for.

    (V1)

    Oh honey, oh dear,
    Whatcha’ been doin’
    Since you been here?

    You like sunny
    Eyes blue as the sea
    Tell me stories so funny
    So I can laugh and sing

    It’s cold and it’s snowin’
    We gotta chance to be free
    There’s a fire that’s still glowin’
    On the inside of me

    We’ll drink from the bottle
    Vintage Pouilly Fouisse
    We’ll swim through the oceans
    And dance in the valley

    Chorus:
    Over the hills and into the trees
    Riding so high, feeling so free
    Don’t turn around I want you to see
    Just what you mean to me.

    (V2)

    Mountains covered with sunshine
    Hills covered in snow
    Wind singing like angels
    Singing things we should know

    I wanna take you forever
    I wanna take you to sea
    Round ’bout like the angels
    Filled with harmony

    It’ll be so funny
    It’ll be so clear
    When we’re walkin’ on Sunshine
    When we’re walkin’ on air

    Chorus 2.

    Solo. (Over 2 Bars of Verse Chords and a full Chorus)

    (Verse 3)

    You’re so funny
    You’re so sweet
    Lips like honey
    Eyes like the sea.

    Oh honey, oh dear
    Whatcha’ been doin’
    Since you been here?

    Outro.

    Fim.

  • I Met a Turtle This Morning

    Turtle

    Turtle 2

    Turtle 3

    Turtle 4

    Turtle 5

    Turtle 6

    A Turtle. He needs to find a pond.

    Walking this morning with the dogs, we came across a turtle in the grass near the woods. I remember a friend of mine posted some photos recently of turtles, so I decided to sit down, take a break and see if I could snap him (no pun intended).  I like the last two the best when I got closer to his face. I wish I would have gotten even a few inches closer, but really felt like he was going to snap me! You know it was relaxing, just gazing at him there. I rarely think about turtles. There’s so many of them around here with all the ponds. But when I stopped to gaze upon him, I really felt the sense of another being there. What was he thinking? What was he feeling? It was sort of a “quasi” spiritual experience. Very relaxing. Maybe that’s what’s so addictive about photography, the relaxing feeling you get from really looking at things in a calm way. So I “beamed” the last photo straight up to flickr from my iPhone, which instantly “tweeted” it to my Twitter. It was ironic: when I came back home I had a couple of responses. One was: “perhaps he wants to lead you on a journey of self discovery” which I thought was rather ironic, considering the feelings I’d had while taking it. Lovely.

  • In Defense of Rand Paul

    “He who is forced against his will, is of the same opinion still.” – Deepak Chopra

    I’m sure you know the back story: Last week, Rand Paul, son of Congressman Ron Paul (R) Texas, won the Republican nomination for Senate in the Commonwealth of Kentucky. The day after his victory, his Democratic opponent, Jack Conway, announced on “Hardball” that one of the reasons voters should consider him “out there” or “extreme”, I can’t remember Chris Matthews’ exact words, but you know the typical descriptions of Libertarians: “Wacky, Looney, Tea-baggers, etc.” designed not to intelligently debate them, but to label them in order not to have to have the debate itself.  Conway stated, for one reason, is that Paul wanted to repeal the 1964 Civil Rights Act, implying in its entirety. You can imagine all the hairs on the back of Matthews’ standing up. Later that night, on the “Rachel Maddow Show” is when the real firestorm or controversy began. Paul was on the show being interviewed and pressed on this exact question. He explained that his position was that 9 of the 10 sections of the law he agreed with, but the aspect that delt with private businesses, he was against. The red boiled to Maddow’s face.

    “Are you saying that businesses should be allowed to not serve black people if they so chose?”

    Mr. Paul tried to explain his position in a philosophical context, demonstrating for instance the idea that if we think of private businesses as “public” spaces that the proprietor of said establishment would not have the right to ban guns.

    Ms. Maddow would have none of it. She was out for blood.

    “Just answer the question, yes or no.”

    Mr. Paul was flustered. He knew that by giving a simple answer of “Yes” that a piece of video tape a few seconds long would be produced in order to smear him and possibly destroy his campaign completely. Why? Because answering that question “Yes” without explaining the philosophical context for your reasoning would automatically label him as a racist. Loaded sound bites like these, whether text or video, are like reflexes in the brain. They automatically fire. They are like branding a cattle. They stick for life.

    Blood Ms. Maddow did draw. She definitely left him mumbling and stumbling. To say he didn’t handle it well is an understatement, but by know means a death blow, because he did emphasize his reasoning, that he was definitely not a racist, nor would support such a business personally. While she won the debate and definitely drew blood, he definitely didn’t come off as the typical politician, seeming like a puppet. He definitely came off, if stumbling on PR Grades, as someone who was authentic and thoughtful. I don’t think anyone watching it, even an African American, would truly think Paul is a racist, though it was clear it was Ms Maddow’s intent to brand him this way.

    I would like to argue that Mr. Paul is right and that Ms. Maddow and her ilke are wrong with two main points.

    1. That the point is moot.

    While Mr. Paul did say he “philosophically” disagreed with the commerce section of the Civil Right’s Act, he did say he clearly had no intention of repealing and that was not part of his platform. His thoughts and point of view were simply to display his overall philosophy. Opponents argue that it is impossible to separate his position on this topic as a demonstration of his philosophy from the danger that he would actually repeal the law, assuming he had such power, and bring back segregation to the country. But this is simply not true. For one, no one could ever have the power to over turn the Civil Rights Act. It would entail overturning the whole law, which no one is for, or could ever have the political will to do so. Overhauling such a law would be a mammoth undertaking: the commerce clause has already been decided in the courts, and no one want to change it because the facts of America today are that no one’s interested in going back to the way it was. We don’t want discrimination based on race even in private business, and the facts of America today is that by and large we don’t have that. Now whether that fact is because of the law itself, or that time and the country have simply moved past it naturally might be up to debate. But no one’s really interested in it. We’ve arrived at the place we wanted. Does it matter now whether it was by boat, train, or plane? No matter how you slice, dice, or cut it, the point of the specific law is history and moot. Mr. Paul clearly demonstrated that he and any reasonable person understood it to be that way. Ms. Maddow, if anything, demonstrated she did not. And I would argue that anyone who thought the point of the specific legislation itself wasn’t moot at this point in time would be the one who is “looney” or “extreme.”

    2.  One can use a moot point to make a broader philosophical argument

    Just because a specific action in the past today is moot, doesn’t mean the action itself can’t be used to make a broader philosophical point, and that philosophical point of view from Mr. Paul’s perspective is this: Freedom is the highest value in our country. Why? Well, I won’t pretend to get in the founder’s head or hearts, but if I were guessing I would say this: In psychology there is the tenant that every brain has a light and dark or “shadow” side. But in order to quell or not let the “dark” side display itself in public, one must somehow find a way, not to exorcise the dark side (that only makes it grow) but somehow ritualistically acknowledge and honor the “shadow” in a private way. It is found that if the shadow side of our nature is honored in a private way, it will tend not to display itself in a public way. For the subconscious knows no difference in “private” or “public” and it’s energy is released with any kind of sincere acknowledgement. Freedom is chosen as the highest value of society for precisely this same reason: a population that is forced in behaving in a way that is deemed socially acceptable, (instead of “choosing” to behave in that way), is a population whose dark side, shadow, and resentment grows, along with its corruption. Instead, a population that has private freedom, has a sacred space in order to deal effectively with their shadow energies, and in turn gives birth to more energy for good in the public arena. A society that chooses to do good, instead of being forced to do good, is the kind of transcendent society that the founders, I believe, had set as a goal, and freedom is its sole and primary driving force. The Founders in their day had seen bad and mediocre societies come and go, but they wanted to build the platform which would foster not just good, but a great society, and the solution they found was a very illuminated one, and as all such solutions are, a very ironic and paradoxical one: the secret to harnessing the greatest amount and best energies of an individual in the service of his society, was not to control him, but instead to free him.

    Related Outside of this Blog:

    New York Sun – “Rand Paul & the Constitution” May 21, 2010