On all the major streaming platforms as well as iTunes and Youtube. It’s another soft rocker. Here’s how I described the vibe to Spotify: “Meditative ballad about harmonizing the transcendental nature of our subjective feelings and thoughts with the realities of life.”
Spotify
Youtube
Apple Music
Thank You Day and Night Lyrics:
Thank you day
Thank you night
How far away is the light
I've been praying all the time
So much pain in this life
For a way back home
I'd give anything I own
Oh oh oh
Thank you day
Thank you night
I am blinded by the sight
A thousand shadows taking flight
Inside their hearts my soul's come alive
Drink the water from my soul
Traveled back in time to your door
Oh oh oh oh
Oh ooh oh
Oh ooh oh
I've been digging through the floor
Sing my song maybe the gates will open more
Then she came at chakra four
Connecting worlds
Freeing shadows that have been ignored
For a way back home
I'd give anything I own
Drank the water from my soul
Traveled back in time to your door
Oh oh oh
Oh ooh oh
Oh ooh oh
“Sloan River,” a tune that came to me almost exactly on this day in 2019, was finally released today. I say finally. Really, it was one of those rare ones that just came all at once, even pretty much the lyrics. If, back then, I was thinking like I am now, I would have chased it down and gotten it out then. I never thought it was the greatest thing in the world, although I did think it was interesting and organic, and I was impressed by the way it made me sing (really high, especially on the verses!), but what I mean by that is that it captured the mood of a moment in time very accurately and spontaneously, and I think it’s better to chase those down in the moment and get them out closer to when they are born. Maybe all of them should.
Another reason I think it’s good to get them out quickly, especially when you get the rare gift of the music and lyrics right there all at once, is that doing a million different demos sucks the soul out of you and makes what is exciting (making art!) suddenly not just a chore but a neuroses! And it nags at you! This little song, which again, I don’t think is anything special, has been nagging at me for the better part of two years! That’s just not healthy, either for the artist nor the art. I think what I’m looking for is that exact middle ground between rushing (as if it has to be out tomorrow) on the one hand versus procrastination on the other. That middle ground is a psychological state of acting, of progress, but within the bubble of calmness, relaxation. It’s a state that’s rewarding in and of itself, no matter what activity it is applied to.
I am proud I at least got it out though, and with each new release I feel like I’m learning more and getting better.
Lyrics for "Sloan River":[Opens with four line chorus]
Sloan River takes you down
Sloan River makes you drown
Sloan River takes you down
Sloan River makes no sound
I wanted to pay
Pay my mistakes
Tried to walk away
But I could not escape
[chorus first two lines only]
I wanted to skate
And walk away
But memories of your face
I could not erase
[Chorus first two lines]
I wanted to leave
I wanted to find
The lady of the lake
Lady of your mind
[Final Chorus full]'Cuz Sloan River takes you down
And Sloan River makes you drown
That honey river will take you down
That haunted river makes no sound.
My new single “It’s Spring” was released today via Distrokid which means it should be available just about everywhere you stream your music or buy digital downloads. It’s also on Youtube which I’ve embedded below.
The track was written and recorded at the beginning of April 2021. I wish I had written in my notes the exact day that little riff came to me. I know I was sitting at my desk with a guitar in hand working on the lyrics for another song, when it came, as they do spontaneously out of the the ether. Usually with such things, I’ll record the fragment into my phone and get back to the task at hand, thinking I’ll come back and finish it later. Nine times out of ten that never happens. I was a little proud of myself for going ahead and finishing a complete draft which I was happy with and is more or less how it is. Maybe it’s the generic nature of the subject. Maybe I just got lucky. It happens.
I had some specific images in my head from past Springs that feel so idyllic now. I think that helped drive it. Even if they’re not there exactly on the page in specific detail, I do think having pleasant memories in mind that you are working off of, playing off of makes the process more fun, and your mind becomes less judgmental, critical of what you are writing.
My song “Union Street (Hold On)” that was released this past summer really as a B-Side for “Just for a Moment” was just added a Distrokid playlist for Singer/Songwriters. I think it goes to show that you’ve just got to keep putting things out and that something, usually something unexpected like this one will stick. Like I mentioned, this was a last minute b-side that I thought was interesting, but I thought if anything caught on, it would be “Just for a Moment.” That one did “ok,” but Union Street has done much, much better. There’s a lot of great songs on this 50 song playlist that I have been enjoying as well. Mine is #37: (Update: 11/28/20: It was added for a second week, and now it’s #28)
Update 2/28/20: I just got the same email from Distrokid that I got last week: That the voters had spoken, and that I had been added to their Singer/Songwriters Playlist and would be there for a week. It didn’t say thing about “again” or “for a second time” as a matter of fact the email was an exact duplicate of the one a week before except for the date change. Playlists and voting for them is a new feature, so maybe it was a glitch, or maybe the song is really good, and was voted again to be on the playlist. The ladder would for sure make me happy, and there is evidence: The list looks for the most part different than the previous week. I hope I’m not jinxing myself. I guess we’ll see next week what happens.
This Hypeddit Landing page has links to most of the places it is available for streaming or purchase. The top two, Spotify and Apple Music, I think account for something like 90% of music consumption these days, but as I come across others, I’ll add them both to that page and this one.
The short of it is, that the bounce down, say from 96khz/24bit to 44.1/24bit is going to raise your True Peak and integrated LUFS by .2-3 points. When you apply dithering, it tames that gain to only .1 point. There are technical reasons for this, but the short of it is, my last track I recorded in 96khz/24 bit in logic and for what ever reason when I googled about Dithering, the impression I got was that it was only necessary if you were reducing the bit depth, say from 24 to 16, which has been the common practice for years.
But lately Spotify, Apple Music, and I assume the others are streaming in 24-bit, so I didn’t feel the need to dither. But then I noticed that jump after bouncing. Dithering solved the problem, or at least most of it. There still was a .1 jump both in True Peak and iLUFS, but not the .2-.3 point jump that you get otherwise. There are three Dithering options in Logic Pro X bouncing: Regular, and two different “Noise Shaping” ones. I tried all three, but at least for my song, they sounded the same and gave me the exact same readings on all the parameters of my Youlean Meter. So I just went with regular, the first choice.
Here’s a comment I just wrote on a Youtube video by the brilliant “In the Mix” channel that I will link to at the end:
Looking at those guidelines, does it mean if you keep your TP below 2.0 Spotify will let you get away with a little louder LUFS? The most recent song I uploaded had a TP of -2.1 and an integrated LUFS of -13.4. Since I kept it below -2 TP do you think they’ll let the .6db “slide” so to speak (as we say here in the States,hehhe) or will they reduce it still? The guidelines are a little obscure. They say if you are going to master louder than -14LUFS then make sure your TP is below -2. So I wasn’t quite sure how to interpret that. For sure with indies like myself, the holy grail as it were is to have a sonic quality and loudness that competes with the majors. Oh another think I’ve learned: You’ve got to employ dithering, even if you keep the same bit depth on the bounce or mixdown. I accepted the Youlean measurements within the mix because they were the very last on the stereo buss chain. But the mix down from 96/24 to 44.1/24 even keeping wave lossless bumped up the TP and iLUFS by .2-.3 points. Employing dithering tamed those losses to only .1 And the readouts were exactly the same whether using regular dithering or the two “Noise Shaping” varieties. Cheers!
