As a teen I romanticized it. Now, I realize that’s the same as mythologizing something. Of course the reality of the experience was anything but. Unless you were having a good trip, as it were. As a young teen in the early eighties, maybe from my older sister’s record collection, I was into CSNY, Dylan, Clapton, Beatles, Stones, etc. This was odd for 1983 I suppose. Even though MTV fascinated me in and of itself, I always “hate-watched” the content thinking it was so superficial compared to my beloved 60’s. But enough about my thoughts on this now. I’ll add to them later including a whole chapter from my novel “The Horizon’s Blue Chance” which is all about a re-enactment of Woodstock at a college party in 1988. (the Chapter that is, not the whole novel. It’s the next to last one in the book, so it serves a prominent purpose to the story as a whole, at least psychologically and spiritually, a sort of “belly of the whale” experience.”) I saw an article in today’s New York Times entitled “Woodstock Was the Birthplace of Festival Fashion” and like so much of my blog I just wanted to create a repository for media concerning topics I’m interested in.
I’m spending most of my time and focus on writing a novel right now. So, hence this.
“Words to Use instead of Said”
http://www.spwickstrom.com/said/
This was the top result when I googled: what are some words you can use to describe dialogue besides said
I created an “Alter-Ego” Twitter (@ottersransom) for solely for my artistic endeavors. My main personal account (@Pickering) which I’ve had since 2007 just seems to messed up and cluttered.
I got this next resource from googling: what’s a good hashtag on twitter for fiction writers and novelists
“To her friends in law or medical school she would declare wryly: I’m downwardly mobile.” – Best American Short Stories 2016, “Gifted” by Sharon Solwitz, p. 241
“She applied and was admitted to art school and earned not only her degree in design but the love of her department head, twelve years older than she was, but trim and sweet-natured with a warm, wry delivery.” – ibid, pg. 241
One can obviously see the phallic symbology of the water penetrating a yoni from beneath, but in a deeper sense, ironically a higher chakra sense, the form of a fountain represents each person and living being itself manifesting from a world of transcendence. And since each particle is of divine nature, so it your whole being.
The water represents the energy, the ambrosia of eternity pouring into the field of time. The endless flowing, the continuous flowing, represents the eternal nature of this mystical dimension and also the infinite nature of its source. Since you can’t see the water’s source, that represents that it’s coming from the ground of being and also that it’s coming from another dimension which is invisible to our senses. On a deeper level there’s the paradox and the archetypal sense of the infinite coming from nothingness, which ironically enough is being postulated as the literal truth in the latest scientific origin stories such as the Big Bang theory.
Most fountains that you see spring from a round bowl-shaped container or vase. The inside of the bowl or pool is sacred space, a “Holy Grail” you might say, which represents the transcendence of duality or on a psychological level, the gap between our thoughts.
Water has long been seen as symbolic of the ambrosia of eternity—and in mythology and psychology as symbolic of the subconscious. A fountain represents a sacred opening, gap or tunnel which is a connection to eternity itself—as well as to the depths of our own being, which for all we know, (and “knowingness” or “chit” in Sanskrit is the metaphysical key to ‘riding this wave’ so to speak), is infinite, equal in its adventure and richness of experience to the “outer” world as is the Ying is to the Yang and gravity is to matter.
In a way, a kind of mini temple, yet completely natural: a religious, mystical experience paradoxically combining both the mystical and the physical, representing a connection created by nature herself.
This is why it evokes an archetypal response of beauty in most people: The aesthetic being, at least on the symbolic level, the manifestation of a mystery.
02/09/16 Update: One element that struck me recently, especially looking at the still photograph, is the Lingam/Yoni symbolism. And there is a strong dichotomy of the Lingam, representing Shiva, coming out of the bowl/vase shaped Yoni, which is representative of the feminine aspect. But if you think about it from a Hindu perspective this makes total sense: The “Void” out of which everything comes and back into which everything goes is the Mother Goddess of the Universe. She is it. Symbolically speaking, the divine feminine represents life itself, and the Lingam, the male divine, represents the snake, who by piercing life, right through the middle, throws off death, just a snake throws off its skin.
The fact that the Lingam and Yoni are seen as together, like the Ying and Yang of Asia, as well as the water and bowl of a fountain, represents that the two are one, that the feminine and masculine are merely two different aspects of the same thing, just like the eternal and the imminent, the mysterious and the manifest, and indeed, life and death: this represents to the soul the transcendent nature of its own being.
Read this quote by Joseph Campbell
“Nevertheless-and here is a great key to the understanding of myth and symbol-the two kingdoms are actually one. The realm of the gods is a forgotten dimension of the world we know. And the exploration of that dimension, either willingly or unwillingly, is the whole sense of the deed of the hero.” – The Hero with a Thousand Faces, page 217, The Crossing of the Return Threshold
Here, the “realm of the gods” is symbolized by the Yoni, the void, the bowl, the feminine. And the “world we know” is represented by the Lingam/Masculine aspect. The masculine is representative of manifestation, but that manifestation has the potentiality to come in contact with the divine, indeed become divine, if it has the energy, drive, and intent to summon itself into one direction, namely that of the spontaneity residing inside the bowl of its own heart.
Another dichotomy: Notice in the fountain and in Hindu temples, the Lingam aspect is coming out of the Yoni, not going in: That’s symbolic of a resurrection. New life (Nova Vita) in this case not coming from sexual intercourse, but from a birth of the heart.
It's time for bed over here, but I wanted to give you 30 seconds of Zen, so I took this just for you.
Update 9/12/21 — These graduates seem to be popping out of the water just like the fountainhead itself—as if the fountainhead were a person too, or as if the two guys were, and their being and consciousness, types of fountainheads. The fountainhead represents a being, a connection between the two worlds, not as refinedly formed as his two ‘brothers’ are in this photo, but more in touch with the primitive, indigenous, fundamental energy and ground of being which is it source. Even beyond that a water fountain is a symbol, like a church, of a connection to the eternal world (which paradoxically is both natural and metaphysical) you’ve got a symbol of the two ‘more evolved’ creatures re-communing with the more primitive yet ultimate source of their life. It’s thus symbolic that education in this sense is as much as an inward exploration and pulling out your innate wisdom as it is absorbing, learning from, and incorporating outward stimuli (the fountain of life is in you as much as it is outside you). The ultimate symbol is that the lines of communication between the two worlds must not only remain open but continue to get richer (‘the falcon cannot hear the falconer’) in order for experience and ultimate fulfillment to keep expanding.
https://youtu.be/6kdw4qRvWEQ
What is it in us that responds spontaneously to the elemental forces? Especially in the younger folk who have a much more alive connection? Fire is the “water” of the underworld, the “water” of night, the “water” of the depths of our subconscious that illuminates revelations that come from within. Most things you divide them, they become smaller. Just like the Gods, the more you divide fire, the bigger it becomes, the more it becomes…
“If you bring forth what is within you, what you bring forth will save you. If you do not bring forth what is within you, what you do not bring forth will destroy you.”
Opening the world to the dimension of mystery. To realize the mystery that underlies all forms.
“That’s the message of the myth: you as you know yourself are not the final term of your being.”
Joseph Campbell: The indication is of a notion of a plane of being that’s behind the visible plane and which is somehow supportive of the visible one to which we have to relate. I would say that’s the basic theme of all mythology… That there is an invisible plane supporting the visible one. Now, whether it is thought of as a world or simply an energy, uh, that differs from time to time and place to place.
Bill Moyers: What we don’t know supports what we do know.
JC: That’s right.
*About the 11:30 mark in the Power of Myth, the First Storytellers.
Ritual is one way of relating to this invisible plane.
JC: “Through the ritual that dimension is struck which transcends temporality and out of which Life comes and back into which it goes.” – 24:16
“What all the myths have to deal with is transformation of consciousness, that you’re thinking in this way and you have now to think in that way.” – JC – 16:10 Power of Myth, The Hero’s Journey.
Update 9/26/20 — Hey Friends! I will eventually get around to posting a video me performing this song, but I have to admit my vocals are too weak. I have been since last summer taking singing lessons, practicing exercises, and they do work! I believe anyone can learn to sing as long as their ear is hearing the right pitch, but at the same time there are varying degrees of success, and I, even though maybe softly, I still can’t sing this song at full volume anywhere near the ability of John. I’m getting better everyday, so I’m sure I’ll release something within the next 6 months even if it’s not as good (how could it be?).
But in the meantime, I wanted to introduce you to something even more exciting. You’ve probably already heard of it: Chordify. It’s an app on your mobile devices and a website on your desktop. But especially for learning covers, it’s amazing! It analyzes every song and spits out a chord chart! From the standpoint of learning covers, nothing could be more easy and fun. I have no financial interest and so far I have not paid anything for it. They do have a premium offer but I’m not sure what that gets you. Let me know in the comments what you think! Anyway, you can find it yourself, but here is the Chordify representation of “Ain’t Even Done with the Night.” Hit this link. You’ll have a lot of fun, especially if you’re wanting to learn covers. It’s amazing!
Original Post:
Well, every once in a while I start making lists of songs that I could actually play live. I always have this romantic notion of being a troubadour, traveling the world with just his guitar, serenading everywhere he goes. Never gonna happen. Well, at the very least it is fun to have a repertoire, so that you can just play, spontaneously, out of exuberance, enjoyment, and to tell you the truth, even in your own house, when you actually get the mics out, the stool, and the PA system, and you play a collection of songs for an hour or so, it really gives you the physical and psychological release do I call it? Therapy? Whatever, like a work out, or going to “Yoga” or a “Spin” Class.
At any rate, I thought last night that, you know, if I made a certain song off one of my lists a “Song of the Day” and spent the time learning it, actually playing it with a mic an PA as if I were performing live, that you know, after a month or a few months, certainly a year (and we know how fast these years go by) I’d have a pretty decent little setlist, repertoire, whatever you want to call it, that I could play for myself or for others.
So hear goes: Last night I suddenly had the urge to listen to John Mellencamp on Spotify. So I listened to his top hits. Really almost any of them I could have chosen. This one was about 5th or 6th down on the list.
So I came home and picked out the chords pretty fast. I mean it’s not a hard song, musically, but I’d like to think that that’s one of the benefits of learning covers: you start to see similar patterns, and the more you learn, the easier and more fun it seems to be to learn new ones. It’s kind of fun, like figuring out a puzzle.
(An hour or so later)
Well, if nothing else, I’ve managed to drag out all the chords and mics and re hook up my PA system, along with a spot and a stool to simulate playing live in a small room. I went through this song a few times. I think I about have it. I don’t think I would be too impressive in front of a real crowd. It felt like my already weak voice was even weaker than usual. That bummed me out. But I know that at least in part some of that has to do with being able to hear yourself and the monitoring system, of which I have none.
And then some other songs that I knew well enough came up, along with some original riffs sort “popping” out of the guitar. That’s another benefit of playing and learning cover songs: Gets your “juices” flowing and you’ll start spontaneously “hearing” and playing your own riffs and progressions that could become original songs.
I guessed that a few years ago and had it confirmed by different “real” artists that I’ve read in interviews: For instance, if you want to be a poet, the best thing you can do is constantly be reading new poetry. Same with fiction, and I suppose with other arts.
Well back to the subject at hand. I don’t know if I’ll keep this up. Knowing me, probably not. But anyway at least I have an official “Song of the Day” for May 8th, 2013, and it’s John “Cougar” Mellencamp’s “Ain’t Even Done with the Night.”
