Categories
Uncategorized

The Essential Function of Mythology and Religion

It’s to put the psyche in accord with nature. Once a hero begins an adventure he quickly learns he has to let go of his ego thinking and let the quest itself be his guide. In some adventures the hero is humbled (Odysseus, Parsifal, Job, Indra). In others he is completely eaten up or otherwise destroyed (Jonah, Jason). In all of these cases some kind of submission is required to an unintelligible, invisible force. That submission has to be utter (Actual death in the Christ story, and a complete willingness die for nirvana in the Buddha—at which moment his fulfillment is activated). Yet all the while still striving for his goal. Though chaos may blow him all over the place for reasons that don’t seem fair, he somehow maintains his inner acceptance even in the face of the ultimate. And continues to try to move forward. The schizophrenic is the person who does the opposite: He won’t let fate wash over him, won’t let his consciousness transform, and keeps insisting on his ego’s program of control. He can’t accept the cards he is dealt and refuses to play the game. But that leaves him in a frozen state in which the intensity of suffering only increases until he feels he utterly cannot escape it and finally is left wailing on the ground.
So the hero is representative of a psyche that has learned to accept, submit to, and otherwise come into accord with nature, which is also analogous to his subconscious and as Jung put it, his “undiscovered self.”
Some heroes start out too proud and have to be humbled. Others start out too humble (Al-addin, many peasant types in the Grimm tales, Jack, etc.) And their adventure consists of realizing the diamond glowing inside. The lowly peasant boy, usually the third and youngest child, whom no one else respects either, turns out to be the only one in the kingdom with the courage to defeat the dragon and win the princess. Somehow his willingness to get in the game with the same type of straightforward intent, yet without expectation, and even more crucially without desperation, just like the Buddha’s acceptance under the Bo tree, and the Christ’s acceptance hanging ostensibly, metaphorically from that same tree, activated his superpowers, transformed his consciousness and that of the whole world around him.
Religion is simply when the act of being with these stories, symbols, and rituals, has the same effect on your psyche.

Categories
Uncategorized

What Joseph Campbell Meant by Following Your Bliss

Only work at something, only devote your career/life to something that gives you pleasure in and of itself [even the nitty gritty of the process lights you up] absent money or fame.

Categories
Philosophy

How to Find Your Calling and Follow Your Bliss

“It has to be something you can’t not do.” — Jerry Seinfeld.

“In Tonio Kröger, the young artist moved out of the world of what had to be done. In the Magic Mountain, Hans Castorp stepped away from the world of what had to be done and followed the fascination of his nature. That is the adventure. “
– Joseph Campbell, Collected Works, II.1.7, “Thomas Mann and James Joyce”, ‘Absorbing the Monstrous’, 5:23 mark in the audio lecture.

The key here is to discern what is the fascination of your nature. When you have found that, the “World of What Has to Be Done” simply has to take a back seat. It’s a psychological shift. Doesn’t mean you don’t pay your bills. Doesn’t mean you don’t run your errands or attend social functions, but it does mean those things are no longer your priority. You’re priority is your fascination. You follow that as long and as hard as your inner nature tells you to. And then when the inevitable need to take a break comes, you do your secondary items.
Stephen Cope has a nice phrase: “What lights you up?” I think Bob Proctor says something like “What winds your stem, what gets you jazzed?” And then really it becomes a psychological problem rather than a practical one because when you change your psychology, your consciousness, into one of making your fascination the centerpiece, the most important thing in your life, you initiate your subconscious, the doorway to eternity, and this infinite resource goes to work for you 100% of the time, even when you are running errands, paying bills, or attending social functions. And then everything starts to happen. You’re riding a wave. Your wave.

Update July 5th, 2019:

“I have to admit something about this is calling me.”

I was watching a video about a certain experience in a certain place that someone was having, and I found myself spontaneously saying that out loud. Begin to notice the things that turn you on, that get you jazzed, that wind your stem. Put them in a diary and notice if there’s a commonality there. There is no right answer. It’s whatever your heart is pulling you toward. The secret, and the treasure, and the adventure is tied up in that.

Categories
Philosophy Pyschology Spiritual

The Cure for Fear is Following Your Bliss

“I’ve said in the ‘Hero with a Thousand Faces’ that if you go on your own proper voyage, there will be protection, magical aid to come to protect you. If it’s not your proper voyage, that will be missing, and you’ll be in trouble. But if it’s the voyage of your own spirit and soul and destiny, don’t be afraid. There will come assistance.”

– Joseph Campbell, Collected Works, Audio Series II, Volume II – Perspectives on Creative Mythology, II.2.2 ‘Hermes, Alchemy, and The Voyage of Ulysses,’ The Adventure of Circe (1:43)

Categories
Mythology Philosophy Pyschology Spiritual Uncategorized

The Symbolic Meaning of a Water Fountain

Water Fountain at Chenal Country Club
One can obviously see the phallic symbology of the water penetrating a yoni from beneath, but in a deeper sense, ironically a higher chakra sense, the form of a fountain represents each person and living being itself manifesting from a world of transcendence. And since each particle is of divine nature, so it your whole being.

The water represents the energy, the ambrosia of eternity pouring into the field of time. The endless flowing, the continuous flowing, represents the eternal nature of this mystical dimension and also the infinite nature of its source. Since you can’t see the water’s source, that represents that it’s coming from the ground of being and also that it’s coming from another dimension which is invisible to our senses. On a deeper level there’s the paradox and the archetypal sense of the infinite coming from nothingness, which ironically enough is being postulated as the literal truth in the latest scientific origin stories such as the Big Bang theory.

Most fountains that you see spring from a round bowl-shaped container or vase. The inside of the bowl or pool is sacred space, a “Holy Grail” you might say, which represents the transcendence of duality or on a psychological level, the gap between our thoughts.

Water has long been seen as symbolic of the ambrosia of eternity—and in mythology and psychology as symbolic of the subconscious. A fountain represents a sacred opening, gap or tunnel which is a connection to eternity itself—as well as to the depths of our own being.

In a way, a kind of mini temple, yet completely natural: a religious, mystical experience paradoxically combining both the mystical and the physical, representing a connection created by nature herself.

This is why it evokes an archetypal response of beauty in most people: The aesthetic being, at least on the symbolic level, the manifestation of a mystery.

02/09/16 Update: One element that struck me recently, especially looking at the still photograph, is the Lingam/Yoni symbolism. And there is a strong dichotomy of the Lingam, representing Shiva, coming out of the bowl/vase shaped Yoni, which is representative of the feminine aspect. But if you think about it from a Hindu perspective this makes total sense: The “Void” out of which everything comes and back into which everything goes is the Mother Goddess of the Universe. She is it. Symbolically speaking, the divine feminine represents life itself, and the Lingam, the male divine, represents the snake, who by piercing life, right through the middle, throws off death, just a snake throws off its skin.

The fact that the Lingam and Yoni are seen as together, like the Ying and Yang of Asia, as well as the water and bowl of a fountain, represents that the two are one, that the feminine and masculine are merely two different aspects of the same thing, just like the eternal and the imminent, the mysterious and the manifest, and indeed, life and death: this represents to the soul the transcendent nature of its own being.

Read this quote by Joseph Campbell

“Nevertheless-and here is a great key to the understanding of myth and symbol-the two kingdoms are actually one. The realm of the gods is a forgotten dimension of the world we know. And the exploration of that dimension, either willingly or unwillingly, is the whole sense of the deed of the hero.” – The Hero with a Thousand Faces, page 217, The Crossing of the Return Threshold

Here, the “realm of the gods” is symbolized by the Yoni, the void, the bowl, the feminine. And the “world we know” is represented by the Lingam/Masculine aspect. The masculine is representative of manifestation, but that manifestation has the potentiality to come in contact with the divine, indeed become divine, if it has the energy, drive, and intent to summon itself into one direction, namely that of the spontaneity residing inside the bowl of its own heart.

Another dichotomy: Notice in the fountain and in Hindu temples, the Lingam aspect is coming out of the Yoni, not going in: That’s symbolic of a resurrection. New life (Nova Vita) in this case not coming from sexual intercourse, but from a birth of the heart.

Categories
Culture Literature Mythology Philosophy Pyschology Spiritual

The Basic Theme of All Mythology

Opening the world to the dimension of mystery. To realize the mystery that underlies all forms.

“That’s the message of the myth: you as you know yourself are not the final term of your being.”

Joseph Campbell: The indication is of a notion of a plane of being that’s behind the visible plane and which is somehow supportive of the visible one to which we have to relate. I would say that’s the basic theme of all mythology… That there is an invisible plane supporting the visible one. Now, whether it is thought of as a world or simply an energy, uh, that differs from time to time and place to place.

Bill Moyers: What we don’t know supports what we do know.
JC: That’s right.

*About the 11:30 mark in the Power of Myth, the First Storytellers.

Ritual is one way of relating to this invisible plane.

JC: “Through the ritual that dimension is struck which transcends temporality and out of which Life comes and back into which it goes.” – 24:16

“What all the myths have to deal with is transformation of consciousness, that you’re thinking in this way and you have now to think in that way.” – JC – 16:10 Power of Myth, The Hero’s Journey.